Italian Baroque Era Painter, 1625-1713,Italian painter, draughtsman and printmaker. He was the last major Italian artist of the classical tradition that had originated with Raphael, and his pre-eminence among the artists of his time marks the triumph of classicism. Nonetheless his art unites the virtues of disegno and colore, and he created a grandiose and decorative style that satisfied the demands of the Church.   Related Paintings of Carlo Maratti :. | Sale Flowers | Portrait d'Homme | Landscape with Farm | Riding in the English Gardens | Patch of Grass |
Related Artists:
elisabeth vigee-lebrun
Élisabeth-Louise Vigee-Le Brun, född 16 april 1755 i Paris, död 30 mars 1842 i Louveciennes, 20 kilometer väster om Paris, var en fransk målare som i huvudsak målade porträtt. Vigee-Lebrun utförde tilldragande, idealiserande porträtt och var för en tid hovmålare hos drottning Marie Antoinette. Vigee-Lebrun var tvungen att lämna Frankrike pågrund av den franska revolutionen 1789 och efter det var hon verksam i Ryssland, Italien och Storbritannien. Efter att Napoleons kommit till makten återvände hon till Frankrike. Hon besökte Schweiz 1807 där hon i Geneve blev invald som hedersmedlem i Societe pour l'Avancement des Beaux-Arts. Vigee-Le Brun lämnade ett arv av 660 porträttmålningar och 200 landskapsmålningar. Dessa finns i privata samlingar i Europa och USA men även i stora museer som Eremitaget, National Gallery i London, Metropolitan Museum of Art i New York och National Gallery of Art i Washington, D.C..
MASTER of the Pfullendorf Altar
German Northern Renaissance Painter, 15th Century
Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,